Roughly, Super HG is early 90s, Super G is 1995-2000, Superia is 2000+. Also there may have been evolution during the lifetime of a name. Super HG, Super G, Superia are generations of Fuji consumer film and are probably relatively similar within a speed. I didn't go back far enough to find any Super G or Reala. There are other numbers like CH10, CH-7, but I suspect those are batch numbers. I looked at some of my Fuji color film from the early 2000s and it's labeled "S-400" and "S-800" on the edges, which are surely Superia 400 and 800. To attempt to answer some of the questions: This is a histogram VueScan produces using these initial settings. We’ll set the scanner to capture every bit of information from a negative having 10 stops of density range (and more). I don't think we need to treat scanning as an unprintable word it is already often discussed in the film forums. The Epson V700 scanner has the latitude to record the 10 stops of density on film, and so does yours, probably. It may be that just starting with a consumer film of the same speed is the best approach. For ex, "consumer" and "professional" color film often have differences. For scanning film, Vuescan has a BATCH SCANNING mode that allows you to scan multiple images at once. Sure it's better if you customize color profiles, but it helps to start with something that might be close. and I may yet run into Fuji slide film in my collection, I bet that's going to be just as fun to figure out. When I scan overexposed photos, they come out grainy. This is similar to (and we think better than) the ICE and FARE algorithms. Hi all, I develop and scan my own films w/ Epson 4990 and VueScan. VueScans Filter Infrared clean option can be used to remove dust spots from film scans. This scanner has an infrared lamp for scanning film. (There are others: NHG, NPS, SHR- but none of these names ring any bells in my head as film I would have purchased 25 years ago)ĭoes anyone know when these films were introduced and discontinued? Knowing these dates might also help me identify the film stock based on when I was shooting. If VueScan isnt working with the Firewire cable, try a USB cable, try a different Firewire port or a different Firewire cable. Google gave me nothing on all of this.Ģ) Because I'm using Vuescan, the types of Fuji film I could potentially use (in the apps "Color" settings) are fairly limited. For example, the negs I was trying to identify yesterday said only: Fuji, 100, 966B, and the film leader had "5D3HM2" on it. Change the Output Tab File setting to the destination folder you would like to save your scans to. Set the RGB Exposure value to the same value used to create your ICC profile. Scan your film with the same settings you used for the IT8 film target. Here are my questions that I'm hoping you can help me with:ġ) Most broadly: how do you identify Fuji film with only negatives and no original canister? Unlike Kodak, there's very little roman alphabet identification on some Fuji negatives. The process is similar to creating the profile. I learned a bit about DX identification (and basically ran into dead ends), incomplete and confusing accounts of what types of Fuji film stocks were available and when. com Photography Film Processing, Scanning, and Darkroom Film scanners Re: Making a 8mm film scanner. I've scoured all over the place online with little success. I am having a really hard time identifying Fuji 35mm color negative film stock. until I ran into my 1990's Fuji negatives. I've been educating myself these past couple months on a variety of topics, especially on how to effectively use Vuescan. I talk about a linear scan workflow and demonstrate how I use the ColorPerfect plugin to control the initial inversion process.I am new to the game of digitizing 35mm film. I demonstrate what settings I use and also show how I deal with areas of the preview scan which appear to be showing areas of blocked blacks and, or blown highlights. These mini video tutorials give an insight into what settings I use when scanning my black and white negatives for either tif based output or a straight linear scan-based output. VueScan is affordable and works with just about any film scanner. I capture the image on traditional black and white light-sensitive film, develop it in traditional darkroom chemicals, and then digitally scan it for print.įor my Epson V800 scanner, I use a selection of scanning software applications, one of which is the professional edition of VueScan. My analog film photography is based on the hybrid workflow. This mini set of VueScan black and white scanning videos is designed to help those who use VueScan for scanning black and white negatives.
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